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	<title>Chhattisgarh - Craft Documentation | Research Archive on Handicrafts &amp; Handloom </title>
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	<title>Chhattisgarh - Craft Documentation | Research Archive on Handicrafts &amp; Handloom </title>
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		<title>Stone Carving~Bastar</title>
		<link>https://gaatha.org/Craft-of-India/stone-carving-bastar/</link>
					<comments>https://gaatha.org/Craft-of-India/stone-carving-bastar/#respond</comments>
		
		<dc:creator><![CDATA[Gaatha A tale of crafts]]></dc:creator>
		<pubDate>Mon, 17 Aug 2026 16:24:47 +0000</pubDate>
				<guid isPermaLink="false">https://gaatha.org/?post_type=listing&#038;p=19432</guid>

					<description><![CDATA[<p>The stone carving Bastar occupies a distinctive position within the artistic heritage of central India, representing one of the oldest surviving forms of indigenous sculptural practice in the region. Rooted in the forested landscapes of southern Chhattisgarh, the craft has evolved through centuries of interaction between tribal communities, locally available stone resources, and deeply embedded [&#8230;]</p>
<p>The post <a href="https://gaatha.org/Craft-of-India/stone-carving-bastar/">Stone Carving~Bastar</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></description>
										<content:encoded><![CDATA[<h4>The stone carving Bastar occupies a distinctive position within the artistic heritage of central India, representing one of the oldest surviving forms of indigenous sculptural practice in the region. Rooted in the forested landscapes of southern Chhattisgarh, the craft has evolved through centuries of interaction between tribal communities, locally available stone resources, and deeply embedded religious and cultural traditions. Unlike the monumental stone sculptures produced under royal patronage in many parts of the Indian subcontinent, Bastar&#8217;s stone carving developed primarily within village communities, where artistic production remained closely integrated with ritual observance, everyday life, and the surrounding natural environment. </h4><p>The post <a href="https://gaatha.org/Craft-of-India/stone-carving-bastar/">Stone Carving~Bastar</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></content:encoded>
					
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		<title>Terracotta ~ Kumhar Para, Kondagaon</title>
		<link>https://gaatha.org/Craft-of-India/terracotta-kondagaon-kumhar-para-village/</link>
					<comments>https://gaatha.org/Craft-of-India/terracotta-kondagaon-kumhar-para-village/#respond</comments>
		
		<dc:creator><![CDATA[info_admin]]></dc:creator>
		<pubDate>Sun, 25 Jan 2026 10:43:27 +0000</pubDate>
				<guid isPermaLink="false">https://gaatha.org/?post_type=listing&#038;p=18453</guid>

					<description><![CDATA[<p>In a small village of Kumhar Para, a beautiful craft called Terracotta flourishes. Terracotta is derived from two Italian words- Terra, meaning earth, and Cotta, meaning cooked or baked. Amid a world of constant push towards mass production, the villagers here continue to showcase their timeless craftsmanship in each unique, handcrafted item, produced in limited [&#8230;]</p>
<p>The post <a href="https://gaatha.org/Craft-of-India/terracotta-kondagaon-kumhar-para-village/">Terracotta ~ Kumhar Para, Kondagaon</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></description>
										<content:encoded><![CDATA[<h4>In a small village of Kumhar Para, a beautiful craft called Terracotta flourishes. Terracotta is derived from two Italian words- Terra, meaning earth, and Cotta, meaning cooked or baked. Amid a world of constant push towards mass production, the villagers here continue to showcase their timeless craftsmanship in each unique, handcrafted item, produced in limited quantities.</h4><p>The post <a href="https://gaatha.org/Craft-of-India/terracotta-kondagaon-kumhar-para-village/">Terracotta ~ Kumhar Para, Kondagaon</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></content:encoded>
					
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			</item>
		<item>
		<title>Wood carving ~ Narayanpur</title>
		<link>https://gaatha.org/Craft-of-India/wood-carving-narayanpur/</link>
					<comments>https://gaatha.org/Craft-of-India/wood-carving-narayanpur/#respond</comments>
		
		<dc:creator><![CDATA[info_admin]]></dc:creator>
		<pubDate>Fri, 02 Jan 2026 09:59:45 +0000</pubDate>
				<guid isPermaLink="false">https://gaatha.org/?post_type=listing&#038;p=18371</guid>

					<description><![CDATA[<p>Wood carving Narayanpur, Chhattisgarh, is one of India&#8217;s most celebrated tribal art forms. It is a vital part of the broader Bastar woodcraft tradition, characterized by its intricate storytelling, connection to nature, and reflection of the cultural heritage of the locals. Bastar wooden craft received the Geographical Indication Tag in 2007 for its uniqueness of [&#8230;]</p>
<p>The post <a href="https://gaatha.org/Craft-of-India/wood-carving-narayanpur/">Wood carving ~ Narayanpur</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></description>
										<content:encoded><![CDATA[<h4>Wood carving Narayanpur, Chhattisgarh, is one of India&#8217;s most celebrated tribal art forms. It is a vital part of the broader Bastar woodcraft tradition, characterized by its intricate storytelling, connection to nature, and reflection of the cultural heritage of the locals. Bastar wooden craft received the Geographical Indication Tag in 2007 for its uniqueness of creation.</h4><p>The post <a href="https://gaatha.org/Craft-of-India/wood-carving-narayanpur/">Wood carving ~ Narayanpur</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></content:encoded>
					
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		<title>Bhitti Chitra (Muriya Painting)~ Chhattisgarh</title>
		<link>https://gaatha.org/Craft-of-India/bhitti-chitra-muriya-painting-chhattisgarh/</link>
					<comments>https://gaatha.org/Craft-of-India/bhitti-chitra-muriya-painting-chhattisgarh/#respond</comments>
		
		<dc:creator><![CDATA[info_admin]]></dc:creator>
		<pubDate>Mon, 01 Dec 2025 14:39:49 +0000</pubDate>
				<guid isPermaLink="false">https://gaatha.org/?post_type=listing&#038;p=18223</guid>

					<description><![CDATA[<p>Bhitti Chitras Chhattisgarh are an integral part of the region’s cultural heritage, visually representing and preserving historical traditions, customs, rituals, collective memory, and the unique identity of each community or tribe. The term Bhitti Chitra comes from two Sanskrit words: bhitti, meaning wall, and chitra, meaning painting. These artworks have long served as a medium [&#8230;]</p>
<p>The post <a href="https://gaatha.org/Craft-of-India/bhitti-chitra-muriya-painting-chhattisgarh/">Bhitti Chitra (Muriya Painting)~ Chhattisgarh</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></description>
										<content:encoded><![CDATA[<h4>Bhitti Chitras Chhattisgarh are an integral part of the region’s cultural heritage, visually representing and preserving historical traditions, customs, rituals, collective memory, and the unique identity of each community or tribe. The term Bhitti Chitra comes from two Sanskrit words: bhitti, meaning wall, and chitra, meaning painting. These artworks have long served as a medium to pass down knowledge, beliefs, and customs across generations. They are both informative and aesthetically appealing.</h4>



<h4>These paintings are not confined to a specific artistic style; they are primarily <strong>narrative</strong>, where each element symbolizes a cultural belief or value. Different tribes create these paintings for different purposes, but among the most well-known are those of the <strong>Muria people</strong>, an indigenous tribal community from the Bastar region. As a subgroup of the larger Gond tribe, the Muria are known for their progressive perspectives on life and marriage, and they were traditionally responsible for painting the walls of the <strong>Ghotuls</strong>, their unique youth dormitories.</h4><p>The post <a href="https://gaatha.org/Craft-of-India/bhitti-chitra-muriya-painting-chhattisgarh/">Bhitti Chitra (Muriya Painting)~ Chhattisgarh</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></content:encoded>
					
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			</item>
		<item>
		<title>Wrought Iron ~Kidai chepda, Kondagaon</title>
		<link>https://gaatha.org/Craft-of-India/wrought-iron-kidai-chepda-kondagaon/</link>
					<comments>https://gaatha.org/Craft-of-India/wrought-iron-kidai-chepda-kondagaon/#respond</comments>
		
		<dc:creator><![CDATA[info_admin]]></dc:creator>
		<pubDate>Fri, 31 Oct 2025 08:12:18 +0000</pubDate>
				<guid isPermaLink="false">https://gaatha.org/?post_type=listing&#038;p=18155</guid>

					<description><![CDATA[<p>In Chhattisgarh, the knowledge of iron is as old as civilization itself. The Agariya community, whose name comes from the word Aag meaning fire, has long been the torchbearer of this tradition, extracting iron from ore and shaping it into functional objects like agricultural tools, hunting gear, diyas, and more.This age-old skill found new meaning [&#8230;]</p>
<p>The post <a href="https://gaatha.org/Craft-of-India/wrought-iron-kidai-chepda-kondagaon/">Wrought Iron ~Kidai chepda, Kondagaon</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></description>
										<content:encoded><![CDATA[<h4>In Chhattisgarh, the knowledge of iron is as old as civilization itself. The Agariya community, whose name comes from the word Aag meaning fire, has long been the torchbearer of this tradition, extracting iron from ore and shaping it into functional objects like agricultural tools, hunting gear, diyas, and more.<br>This age-old skill found new meaning when their creations reached urban markets. The raw, rustic aesthetic of their work captivated modern audiences, inspiring artisans and designers to collaborate and experiment. What began as a traditional craft has evolved continuously for over four decades, and the story still forges ahead.</h4><p>The post <a href="https://gaatha.org/Craft-of-India/wrought-iron-kidai-chepda-kondagaon/">Wrought Iron ~Kidai chepda, Kondagaon</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></content:encoded>
					
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			</item>
		<item>
		<title>Dhokra craft ~ Kondagaon</title>
		<link>https://gaatha.org/Craft-of-India/dhokra-craft-kondagaon/</link>
					<comments>https://gaatha.org/Craft-of-India/dhokra-craft-kondagaon/#respond</comments>
		
		<dc:creator><![CDATA[info_admin]]></dc:creator>
		<pubDate>Sat, 20 Sep 2025 12:35:22 +0000</pubDate>
				<guid isPermaLink="false">https://gaatha.org/?post_type=listing&#038;p=18067</guid>

					<description><![CDATA[<p>This metal-casting tradition has not only been kept alive in Kondagaon, in the Bastar region of Chhattisgarh, but artisans here have truly taken it to another level. The name Kondagaon may evoke the feeling of a small village, but it is, in fact, a town. Within Kondagaon, the area of Bhelwapadar is where most of [&#8230;]</p>
<p>The post <a href="https://gaatha.org/Craft-of-India/dhokra-craft-kondagaon/">Dhokra craft ~ Kondagaon</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></description>
										<content:encoded><![CDATA[<h4>This metal-casting tradition has not only been kept alive in Kondagaon, in the Bastar region of Chhattisgarh, but artisans here have truly taken it to another level. The name Kondagaon may evoke the feeling of a small village, but it is, in fact, a town. Within Kondagaon, the area of Bhelwapadar is where most of the Dhokra artisans work.<br>As the craft flourished, many people became involved in different stages of the process. Yet, traditionally, it is the Baghels, belonging to the Ghadwa community—who have practised this art across generations. In Kondagaon, most artworks are inspired by elements of nature and tribal life. The socio-cultural narratives that craftsmen see and hear around them are beautifully sculpted using natural mediums, carrying forward both heritage and storytelling.</h4><p>The post <a href="https://gaatha.org/Craft-of-India/dhokra-craft-kondagaon/">Dhokra craft ~ Kondagaon</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></content:encoded>
					
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