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	<title>Hand painted - Craft Archive | Research on Indian Handicrafts &amp; Handloom</title>
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		<title>Patna Kalam ~ Patna</title>
		<link>https://gaatha.org/Craft-of-India/patna-kalam-painting-patna/</link>
					<comments>https://gaatha.org/Craft-of-India/patna-kalam-painting-patna/#respond</comments>
		
		<dc:creator><![CDATA[info_admin]]></dc:creator>
		<pubDate>Thu, 11 Jun 2026 12:54:08 +0000</pubDate>
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					<description><![CDATA[<p>Among the many schools of painting that emerged during the transition from Mughal sovereignty to British colonial rule, Patna Kalam occupies a distinctive position within the history of South Asian art. Flourishing between the mid eighteenth and early twentieth centuries in the urban centre of Patna, the school developed through the migration of Mughal-trained painters [&#8230;]</p>
<p>The post <a href="https://gaatha.org/Craft-of-India/patna-kalam-painting-patna/">Patna Kalam ~ Patna</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></description>
										<content:encoded><![CDATA[<h4>Among the many schools of painting that emerged during the transition from Mughal sovereignty to British colonial rule, Patna Kalam occupies a distinctive position within the history of South Asian art. Flourishing between the mid eighteenth and early twentieth centuries in the urban centre of Patna, the school developed through the migration of Mughal-trained painters from imperial karkhanas (ateliers) into provincial and commercial centres. Yet, Patna Kalam cannot be understood simply as a provincial continuation of Mughal miniature painting or as a derivative branch of Company art. It represented a profound transformation in the conditions of artistic production itself. In place of the enclosed world of emperors, nobles and dynastic spectacle, the school turned toward bazaars, artisans, itinerant vendors, craftsmen, servants and scenes of ordinary urban labour.</h4><p>The post <a href="https://gaatha.org/Craft-of-India/patna-kalam-painting-patna/">Patna Kalam ~ Patna</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></content:encoded>
					
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		<title>Phad Painting ~ Bhilwara</title>
		<link>https://gaatha.org/Craft-of-India/phad-painting-bhilwara/</link>
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		<dc:creator><![CDATA[Gaatha A tale of crafts]]></dc:creator>
		<pubDate>Mon, 20 May 2024 06:27:45 +0000</pubDate>
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					<description><![CDATA[<p>In the Rajasthani dialect, &#8220;Phad&#8221; carries the meaning of a fold. The smaller version of Phad painting is referred to as &#8220;Phadhye.&#8221; The intricate narratives and vibrant colours of Phad paintings contribute to the rich cultural tapestry of Rajasthan, showcasing the fusion of visual and performing arts in this traditional form.</p>
<p>The post <a href="https://gaatha.org/Craft-of-India/phad-painting-bhilwara/">Phad Painting ~ Bhilwara</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></description>
										<content:encoded><![CDATA[<p></p>



<h4>In the Rajasthani dialect, <strong>&#8220;Phad&#8221; carries the meaning of a fold. </strong>The smaller version of Phad painting is referred to as &#8220;Phadhye.&#8221; The intricate narratives and vibrant colours of Phad paintings contribute to the rich cultural tapestry of Rajasthan, showcasing the fusion of visual and performing arts in this traditional form.</h4><p>The post <a href="https://gaatha.org/Craft-of-India/phad-painting-bhilwara/">Phad Painting ~ Bhilwara</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></content:encoded>
					
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