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Baiga Adivasi Fabric

Gaatha A tale of crafts — Sat, 17 Feb 2024 12:50:00 +0000

In the era of science and technology, certain tribal communities find themselves in a technologically primitive, pre-agricultural stage. Their economy is uncomplicated, primarily rooted in forests, rendering them extremely impoverished. Many among them lack literacy, and their population growth remains stagnant. In India, there are 74 such groups recognized as Primitive Tribal Groups (PTG), and the Baiga community is counted among them. In the state of Madhya Pradesh, which hosts a total of 43 tribal groups, three—namely Baiga, Bharia, and Sahariya—are specifically identified as PTG. This acknowledgment highlights their unique socio-economic and cultural context, positioning them distinctively within the broader framework of tribal communities in India. Baigas are widely distributed in Dindori, Mandla, Shahdol, and Balaghat districts of Madhya Pradesh.

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Lacquer Wood, Nirona- Kutch

Gaatha A tale of crafts — Sat, 17 Feb 2024 12:13:09 +0000

The lacquered wooden products crafted in Nirona village have a unique kaleidoscopic appeal. Artisans create a variety of functional wooden products using simple lathe tools, demonstrating not only their talent and creativity but also their dedication to preserving age-old techniques. Beyond their aesthetic appeal, lacquered wooden products play a vital role in the economic sustainability of artisans’ families, serving as a crucial source of income. Moreover, the allure of these unique creations attracts tourists and art enthusiasts, fostering cultural exchange and generating economic benefits for the community.

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Mukha Mask Making, Majuli, Assam

Gaatha A tale of crafts — Thu, 01 Feb 2024 11:47:14 +0000

The traditional mask-making culture of Majuli stands as a deep and enduring aspect of our intangible cultural heritage, for centuries. The intricate artistry and craftsmanship embedded in the creation of masks on this river island have contributed significantly to tradition and heritage. Passed down through generations, this cultural practice represents a dynamic and living connection to the past, embodying the creativity, skills, and cultural expressions of the people of Majuli. Traditional mask making culture of Majuli serves as evidence of continuity and flexibility for adaption to present contemporary scenario and demands. Along with adaption to contemporary use it hasn’t lost the integral feature of our intangible cultural heritage.

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Bandhani~Kutch

Gaatha A tale of crafts — Wed, 17 Mar 2021 12:56:26 +0000

Dotted with a thousand tiny specks, possessing a fine crinkled texture and dyed in rich vibrant colours, ‘Bandhani’ or ‘tie and dye’ of Gujarat draws immense admiration and attention alike. This stunning piece of art is a legacy of the Gujarat Textiles industry and showcases their brilliant craftsmanship through intricate designs. The craft takes its name from ‘Bandhan’, the Sanskrit word for ‘tying’ and refers to both the technique as well as the end product. It is created by a tedious process of pinching, tying and resist dying the fabric.

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Molela terracota~Molela

Gaatha A tale of crafts — Fri, 11 Nov 2016 09:36:11 +0000

Clay tiles with sculptures of gods and goddesses and local deities in hollow relief form, made flat on one end to be hung on the wall, Molela terracotta works are a regional art of Molela, Rajasthan. Made as a flat surface, unlike the usual idols made elsewhere, these plaques are brightly painted and unique in design.

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Pattachitra

Gaatha A tale of crafts — Wed, 09 Nov 2016 10:54:18 +0000

Pattachitra is a vibrant art form of Orissa laden with ‘Puranic’ culture, stories and breathtaking details. The word ‘Pattachitra’ is derived from two Sanskrit words ‘Patta’ and ‘Chitra’ which put together means ‘paintings on cloth’. They have evolved around the cult of Lord Jagannath of Puri.

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Pottery~Mandla

Gaatha A tale of crafts — Mon, 27 Jun 2016 11:27:10 +0000

Taken from earth or Maati, clay is simple element crafted to a plethora of forms. Needs, beliefs and imagination of the people have found shape and texture in clay. The craftsmen make figures of god and goddesses, animals as well as toys and objects of utility.

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Nandana Prints~Tarapur

Gaatha A tale of crafts — Fri, 20 Mar 2015 12:56:00 +0000

Nandna is a mud resist block-printing craft of Madhya Pradesh and is one of the very few crafts being practiced in its original form. The fabric thus printed is then worn by the women from the local Bhil tribes as their traditional attire. But what sets Nandna prints apart from the other printed fabrics is its intact rustic look and ancient motifs, equally revered by the contemporaries. The craftsmen use naturally derived dyes on chaste cotton fabric and age old block designs inspired from the nature.

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Bagh Print~Bagh

Gaatha A tale of crafts — Sat, 21 Feb 2015 09:36:00 +0000

Bagh is the name of a block printing technique unique to a small village called Bagh in Madhya Pradesh. The craft as well as the village derive their names from the River ‘Baghini’ that flows through the village and serves as a spine for the craft. Bagh printing is an array of dynamic floral and geometrical prints made using finely cut wooden blocks and vegetable dyes.

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Gond Painting~Patangarh

Gaatha A tale of crafts — Mon, 24 Jun 2013 12:32:23 +0000

Gond paintings are indigenous graphic expressions of the Gond tribes of Madhya Pradesh. They have a unique style of creating textures by descriptive patterns. These colourful, descriptive paintings are holistic depictions of tribal life.

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