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	<title>Weaving - Craft Documentation &amp; Online Research Archive</title>
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	<title>Weaving - Craft Documentation &amp; Online Research Archive</title>
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	<item>
		<title>Weaving ~ Kotpad, Odisha</title>
		<link>https://gaatha.org/Craft-of-India/kotpad-handloom-weaving-odisha/</link>
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		<dc:creator><![CDATA[info_admin]]></dc:creator>
		<pubDate>Sat, 27 Dec 2025 15:53:47 +0000</pubDate>
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					<description><![CDATA[<p>Kotpad handloom weaving is a century-old textile tradition that originated in a small weaving village called ‘Kotpad’ in the Koraput district of Odisha. Known for preserving and promoting tribal heritage, Kotpad handlooms became the first product in Odisha to receive a Geographical Indication (GI) tag in 2005, thereby protecting its uniqueness. These textiles are woven [&#8230;]</p>
<p>The post <a href="https://gaatha.org/Craft-of-India/kotpad-handloom-weaving-odisha/">Weaving ~ Kotpad, Odisha</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></description>
										<content:encoded><![CDATA[<h4>Kotpad handloom weaving is a century-old textile tradition that originated in a small weaving village called ‘Kotpad’ in the Koraput district of Odisha. Known for preserving and promoting tribal heritage, Kotpad handlooms became the first product in Odisha to receive a Geographical Indication (GI) tag in 2005, thereby protecting its uniqueness. These textiles are woven by the Panka, Mirga and Manikpuria community in the southern areas of Chhattisgarh and Odisha.</h4><p>The post <a href="https://gaatha.org/Craft-of-India/kotpad-handloom-weaving-odisha/">Weaving ~ Kotpad, Odisha</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></content:encoded>
					
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		<title>Dhurrie Weaving ~ Warangal</title>
		<link>https://gaatha.org/Craft-of-India/dhurrie-weaving-warangal/</link>
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		<dc:creator><![CDATA[info_admin]]></dc:creator>
		<pubDate>Fri, 19 Dec 2025 13:43:23 +0000</pubDate>
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					<description><![CDATA[<p>‘Dhurrie’, derived from the Hindi and Urdu word ‘dari’, means carpet and is considered the world’s oldest floor covering. The etymology of the word dhurrie is a bit complicated. In Sanskrit, Dara is a ‘mat of split cane’. In Sindhi, the word dari also means ‘a piece of matting’ and the same word in Punjabi, [&#8230;]</p>
<p>The post <a href="https://gaatha.org/Craft-of-India/dhurrie-weaving-warangal/">Dhurrie Weaving ~ Warangal</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></description>
										<content:encoded><![CDATA[<h4>‘Dhurrie’, derived from the Hindi and Urdu word ‘dari’, means carpet and is considered the world’s oldest floor covering.  The etymology of the word dhurrie is a bit complicated. In Sanskrit, Dara is a ‘mat of split cane’. In Sindhi, the word dari also means ‘a piece of matting’ and the same word in Punjabi, Bengali, Oriya, and Nepali denotes a ‘carpet’. Warangal dhurries acquired Geographical Indication Tag in 2018, acknowledging its high degree of craftsmanship.</h4><p>The post <a href="https://gaatha.org/Craft-of-India/dhurrie-weaving-warangal/">Dhurrie Weaving ~ Warangal</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></content:encoded>
					
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			</item>
		<item>
		<title>Saree weaving ~ Amarchinta</title>
		<link>https://gaatha.org/Craft-of-India/saree-weaving-amarchinta/</link>
					<comments>https://gaatha.org/Craft-of-India/saree-weaving-amarchinta/#respond</comments>
		
		<dc:creator><![CDATA[dev team]]></dc:creator>
		<pubDate>Tue, 02 Sep 2025 12:10:38 +0000</pubDate>
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					<description><![CDATA[<p>Saree weaving in Amarchinta has always been a cherished name among Telugu women. It is not just a place, it is a rhythm of life, woven into every field, every loom, and every story told under the shade of an old tamarind tree. Located in Telangana’s Wanaparthy district, Amarchinta may appear quiet on the map, [&#8230;]</p>
<p>The post <a href="https://gaatha.org/Craft-of-India/saree-weaving-amarchinta/">Saree weaving ~ Amarchinta</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></description>
										<content:encoded><![CDATA[<h4 class="has-text-color" style="color:#903000">Saree weaving in Amarchinta has always been a cherished name among Telugu women. It is not just a place, it is a rhythm of life, woven into every field, every loom, and every story told under the shade of an old tamarind tree. Located in Telangana’s Wanaparthy district, Amarchinta may appear quiet on the map, but it resounds deeply in the memories of those who have lived within. Here, craft is not merely an occupation; it is a way of life, passed gently from palm to palm, from elder to child, more as a natural habit than as a proclaimed heritage.</h4><p>The post <a href="https://gaatha.org/Craft-of-India/saree-weaving-amarchinta/">Saree weaving ~ Amarchinta</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></content:encoded>
					
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		<item>
		<title>Saree Weaving ~ Narayanpet</title>
		<link>https://gaatha.org/Craft-of-India/handloom-weaving-narayanpet-saree/</link>
					<comments>https://gaatha.org/Craft-of-India/handloom-weaving-narayanpet-saree/#respond</comments>
		
		<dc:creator><![CDATA[dev team]]></dc:creator>
		<pubDate>Wed, 23 Jul 2025 06:23:31 +0000</pubDate>
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					<description><![CDATA[<p>Narayanpet handloom sarees, woven in the vibrant town of Narayanpet, Telangana, are known for their signature checks and distinctive color combinations. Lightweight and durable, they are a perfect choice for everyday wear.</p>
<p>The post <a href="https://gaatha.org/Craft-of-India/handloom-weaving-narayanpet-saree/">Saree Weaving ~ Narayanpet</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></description>
										<content:encoded><![CDATA[<h4 class="has-text-color" style="color:#903000">Narayanpet handloom sarees, woven in the vibrant town of Narayanpet, Telangana, are known for their signature checks and distinctive color combinations. Lightweight and durable, they are a perfect choice for everyday wear.</h4><p>The post <a href="https://gaatha.org/Craft-of-India/handloom-weaving-narayanpet-saree/">Saree Weaving ~ Narayanpet</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></content:encoded>
					
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		<item>
		<title>Gollabhama Saree Weaving- Siddipet</title>
		<link>https://gaatha.org/Craft-of-India/gollabhama-saree-weaving-siddipet/</link>
					<comments>https://gaatha.org/Craft-of-India/gollabhama-saree-weaving-siddipet/#respond</comments>
		
		<dc:creator><![CDATA[dev team]]></dc:creator>
		<pubDate>Mon, 16 Jun 2025 06:03:50 +0000</pubDate>
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					<description><![CDATA[<p>The Siddipet Gollabhama Saree is not just a piece of fabric; it is a living tradition, worn, celebrated, and reinterpreted through generations. Traditionally, these sarees were worn by women across rural Telangana, especially during religious festivals, community gatherings, harvest celebrations, and temple events.</p>
<p>The post <a href="https://gaatha.org/Craft-of-India/gollabhama-saree-weaving-siddipet/">Gollabhama Saree Weaving- Siddipet</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></description>
										<content:encoded><![CDATA[<h4>The Siddipet Gollabhama Saree is not just a piece of fabric; it is a living tradition, worn, celebrated, and reinterpreted through generations. Traditionally, these sarees were worn by women across rural Telangana, especially during religious festivals, community gatherings, harvest celebrations, and temple events.</h4><p>The post <a href="https://gaatha.org/Craft-of-India/gollabhama-saree-weaving-siddipet/">Gollabhama Saree Weaving- Siddipet</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></content:encoded>
					
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		<item>
		<title>Saree Weaving- Gadwal</title>
		<link>https://gaatha.org/Craft-of-India/saree-weaving-gadwal/</link>
					<comments>https://gaatha.org/Craft-of-India/saree-weaving-gadwal/#respond</comments>
		
		<dc:creator><![CDATA[info_admin]]></dc:creator>
		<pubDate>Fri, 02 May 2025 10:01:39 +0000</pubDate>
				<guid isPermaLink="false">https://gaatha.org/?post_type=listing&#038;p=17613</guid>

					<description><![CDATA[<p>Saree weaving in Gadwal extends far beyond its material presence. It serves as a living archive of Telugu cultural identity, religious philosophy, caste practices, regional pride, and artisan labor. Rooted in the temple town of Gadwal, the saree carries within its folds the weight of sacred geographies, royal patronage, and craft legacies nurtured over centuries.</p>
<p>The post <a href="https://gaatha.org/Craft-of-India/saree-weaving-gadwal/">Saree Weaving- Gadwal</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></description>
										<content:encoded><![CDATA[<h4>Saree weaving in Gadwal extends far beyond its material presence. It serves as a living archive of Telugu cultural identity, religious philosophy, caste practices, regional pride, and artisan labor. Rooted in the temple town of Gadwal, the saree carries within its folds the weight of sacred geographies, royal patronage, and craft legacies nurtured over centuries.</h4><p>The post <a href="https://gaatha.org/Craft-of-India/saree-weaving-gadwal/">Saree Weaving- Gadwal</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></content:encoded>
					
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		<title>Saree Weaving ~ Pochampally</title>
		<link>https://gaatha.org/Craft-of-India/saree-weaving-pochampally/</link>
					<comments>https://gaatha.org/Craft-of-India/saree-weaving-pochampally/#respond</comments>
		
		<dc:creator><![CDATA[info_admin]]></dc:creator>
		<pubDate>Tue, 12 Nov 2024 06:20:46 +0000</pubDate>
				<guid isPermaLink="false">https://gaatha.org/?post_type=listing&#038;p=17081</guid>

					<description><![CDATA[<p>In this region, silk sarees are a favorite among women. Deep down, every woman dreams of owning a silk ikat saree, often spending hours choosing the perfect one for herself or for family members. Saree weaving Pochampally stand out for their unique quality and beautiful color combinations. Witnessing how intricate patterns are first created on [&#8230;]</p>
<p>The post <a href="https://gaatha.org/Craft-of-India/saree-weaving-pochampally/">Saree Weaving ~ Pochampally</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></description>
										<content:encoded><![CDATA[<h4>In this region, silk sarees are a favorite among women. Deep down, every woman dreams of owning a silk ikat saree, often spending hours choosing the perfect one for herself or for family members. Saree weaving Pochampally  stand out for their unique quality and beautiful color combinations. Witnessing how intricate patterns are first created on threads and then woven into fabric elevates our appreciation for this remarkable art to a whole new level.</h4><p>The post <a href="https://gaatha.org/Craft-of-India/saree-weaving-pochampally/">Saree Weaving ~ Pochampally</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></content:encoded>
					
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		<title>Baiga Adivasi Fabric</title>
		<link>https://gaatha.org/Craft-of-India/baiga-adivasi-fabric/</link>
					<comments>https://gaatha.org/Craft-of-India/baiga-adivasi-fabric/#respond</comments>
		
		<dc:creator><![CDATA[Gaatha A tale of crafts]]></dc:creator>
		<pubDate>Sat, 17 Feb 2024 12:50:00 +0000</pubDate>
				<guid isPermaLink="false">https://gaatha.org/?post_type=listing&#038;p=16527</guid>

					<description><![CDATA[<p>In the era of science and technology, certain tribal communities find themselves in a technologically primitive, pre-agricultural stage. Their economy is uncomplicated, primarily rooted in forests, rendering them extremely impoverished. Many among them lack literacy, and their population growth remains stagnant. In India, there are 74 such groups recognized as Primitive Tribal Groups (PTG), and [&#8230;]</p>
<p>The post <a href="https://gaatha.org/Craft-of-India/baiga-adivasi-fabric/">Baiga Adivasi Fabric</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>In the era of science and technology, certain tribal communities find themselves in a technologically primitive, pre-agricultural stage. Their economy is uncomplicated, primarily rooted in forests, rendering them extremely impoverished. Many among them lack literacy, and their population growth remains stagnant. In India, there are 74 such groups recognized as Primitive Tribal Groups (PTG), and the Baiga community is counted among them. In the state of Madhya Pradesh, which hosts a total of 43 tribal groups, three—namely Baiga, Bharia, and Sahariya—are specifically identified as PTG. This acknowledgment highlights their unique socio-economic and cultural context, positioning them distinctively within the broader framework of tribal communities in India. Baigas are widely distributed in Dindori, Mandla, Shahdol, and Balaghat districts of Madhya Pradesh.</p><p>The post <a href="https://gaatha.org/Craft-of-India/baiga-adivasi-fabric/">Baiga Adivasi Fabric</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></content:encoded>
					
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		<title>Kharad weaving, Kutch</title>
		<link>https://gaatha.org/Craft-of-India/kharad-weaving-kutch/</link>
					<comments>https://gaatha.org/Craft-of-India/kharad-weaving-kutch/#respond</comments>
		
		<dc:creator><![CDATA[Gaatha A tale of crafts]]></dc:creator>
		<pubDate>Tue, 23 Jan 2024 13:05:46 +0000</pubDate>
				<guid isPermaLink="false">https://gaatha.org/?post_type=listing&#038;p=16015</guid>

					<description><![CDATA[<p>The durrie, a timeless symbol ingrained in the tapestry of Indian culture, carries with it an 800-year-old legacy of Kharaad / Kharad weaving. This tradition, rooted in the era of ancient palaces, camel herders, and nomadic wanderers, has stood the test of time. The inspiration for this craft can be traced back to the utilitarian [&#8230;]</p>
<p>The post <a href="https://gaatha.org/Craft-of-India/kharad-weaving-kutch/">Kharad weaving, Kutch</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></description>
										<content:encoded><![CDATA[<h4><strong>The durrie, a timeless symbol ingrained in the tapestry of Indian culture, carries with it an 800-year-old legacy of <strong>Kharaad</strong></strong> / <strong>Kharad weaving</strong>. This tradition, rooted in the era of ancient palaces, camel herders, and nomadic wanderers, has stood the test of time. <strong>The inspiration for this craft can be traced back to the utilitarian accessories of camels and animals, where nomadic communities began adorning their creatures with both functional and artistic purpose.</strong> The threads of this ancient tradition weave a story that echoes through centuries, connecting us to a rich heritage that celebrates both craftsmanship and the harmonious coexistence of art and daily life.</h4><p>The post <a href="https://gaatha.org/Craft-of-India/kharad-weaving-kutch/">Kharad weaving, Kutch</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></content:encoded>
					
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		<title>Ashavali Brocade, Ahmedabad</title>
		<link>https://gaatha.org/Craft-of-India/ashavali-brocade-ahmedabad/</link>
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		<dc:creator><![CDATA[Gaatha A tale of crafts]]></dc:creator>
		<pubDate>Sat, 13 Jan 2024 12:44:55 +0000</pubDate>
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					<description><![CDATA[<p>Ashawali Brocade, woven in silk and hailing from the heart of Ahmedabad, Gujarat, carries with it a name that echoes through the corridors of time, tracing its origins back thousands of years. The very essence of its name, Ashawali, finds its roots in the history of a bygone era, under the reign of King Ashapalli. [&#8230;]</p>
<p>The post <a href="https://gaatha.org/Craft-of-India/ashavali-brocade-ahmedabad/">Ashavali Brocade, Ahmedabad</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></description>
										<content:encoded><![CDATA[<h4>Ashawali Brocade, woven in silk and hailing from the heart of Ahmedabad, Gujarat, carries with it a name that echoes through the corridors of time, tracing its origins back thousands of years. The very essence of its name, Ashawali, finds its roots in the history of a bygone era, under the reign of King Ashapalli. According to historical documents, Karna (r. c. 1064–1092 CE), a monarch from the Chaulukya (Solanki) dynasty in Gujarat, is lauded for his triumph over a Bhil chief from Ashapalli. This victory marked the establishment of Karnavati city, further enriching the cultural tapestry of the region</h4><p>The post <a href="https://gaatha.org/Craft-of-India/ashavali-brocade-ahmedabad/">Ashavali Brocade, Ahmedabad</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></content:encoded>
					
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