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	<title>Textile and Tales - Craft Documentation &amp; Online Research Archive</title>
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	<title>Textile and Tales - Craft Documentation &amp; Online Research Archive</title>
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	<item>
		<title>Weaving ~ Kotpad, Odisha</title>
		<link>https://gaatha.org/Craft-of-India/kotpad-handloom-weaving-odisha/</link>
					<comments>https://gaatha.org/Craft-of-India/kotpad-handloom-weaving-odisha/#respond</comments>
		
		<dc:creator><![CDATA[info_admin]]></dc:creator>
		<pubDate>Sat, 27 Dec 2025 15:53:47 +0000</pubDate>
				<guid isPermaLink="false">https://gaatha.org/?post_type=listing&#038;p=18323</guid>

					<description><![CDATA[<p>Kotpad handloom weaving is a century-old textile tradition that originated in a small weaving village called ‘Kotpad’ in the Koraput district of Odisha. Known for preserving and promoting tribal heritage, Kotpad handlooms became the first product in Odisha to receive a Geographical Indication (GI) tag in 2005, thereby protecting its uniqueness. These textiles are woven [&#8230;]</p>
<p>The post <a href="https://gaatha.org/Craft-of-India/kotpad-handloom-weaving-odisha/">Weaving ~ Kotpad, Odisha</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></description>
										<content:encoded><![CDATA[<h4>Kotpad handloom weaving is a century-old textile tradition that originated in a small weaving village called ‘Kotpad’ in the Koraput district of Odisha. Known for preserving and promoting tribal heritage, Kotpad handlooms became the first product in Odisha to receive a Geographical Indication (GI) tag in 2005, thereby protecting its uniqueness. These textiles are woven by the Panka, Mirga and Manikpuria community in the southern areas of Chhattisgarh and Odisha.</h4><p>The post <a href="https://gaatha.org/Craft-of-India/kotpad-handloom-weaving-odisha/">Weaving ~ Kotpad, Odisha</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></content:encoded>
					
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		<item>
		<title>Saree Weaving ~ Narayanpet</title>
		<link>https://gaatha.org/Craft-of-India/handloom-weaving-narayanpet-saree/</link>
					<comments>https://gaatha.org/Craft-of-India/handloom-weaving-narayanpet-saree/#respond</comments>
		
		<dc:creator><![CDATA[dev team]]></dc:creator>
		<pubDate>Wed, 23 Jul 2025 06:23:31 +0000</pubDate>
				<guid isPermaLink="false">https://gaatha.org/?post_type=listing&#038;p=17682</guid>

					<description><![CDATA[<p>Narayanpet handloom sarees, woven in the vibrant town of Narayanpet, Telangana, are known for their signature checks and distinctive color combinations. Lightweight and durable, they are a perfect choice for everyday wear.</p>
<p>The post <a href="https://gaatha.org/Craft-of-India/handloom-weaving-narayanpet-saree/">Saree Weaving ~ Narayanpet</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></description>
										<content:encoded><![CDATA[<h4 class="has-text-color" style="color:#903000">Narayanpet handloom sarees, woven in the vibrant town of Narayanpet, Telangana, are known for their signature checks and distinctive color combinations. Lightweight and durable, they are a perfect choice for everyday wear.</h4><p>The post <a href="https://gaatha.org/Craft-of-India/handloom-weaving-narayanpet-saree/">Saree Weaving ~ Narayanpet</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></content:encoded>
					
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			</item>
		<item>
		<title>Gollabhama Saree Weaving- Siddipet</title>
		<link>https://gaatha.org/Craft-of-India/gollabhama-saree-weaving-siddipet/</link>
					<comments>https://gaatha.org/Craft-of-India/gollabhama-saree-weaving-siddipet/#respond</comments>
		
		<dc:creator><![CDATA[dev team]]></dc:creator>
		<pubDate>Mon, 16 Jun 2025 06:03:50 +0000</pubDate>
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					<description><![CDATA[<p>The Siddipet Gollabhama Saree is not just a piece of fabric; it is a living tradition, worn, celebrated, and reinterpreted through generations. Traditionally, these sarees were worn by women across rural Telangana, especially during religious festivals, community gatherings, harvest celebrations, and temple events.</p>
<p>The post <a href="https://gaatha.org/Craft-of-India/gollabhama-saree-weaving-siddipet/">Gollabhama Saree Weaving- Siddipet</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></description>
										<content:encoded><![CDATA[<h4>The Siddipet Gollabhama Saree is not just a piece of fabric; it is a living tradition, worn, celebrated, and reinterpreted through generations. Traditionally, these sarees were worn by women across rural Telangana, especially during religious festivals, community gatherings, harvest celebrations, and temple events.</h4><p>The post <a href="https://gaatha.org/Craft-of-India/gollabhama-saree-weaving-siddipet/">Gollabhama Saree Weaving- Siddipet</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></content:encoded>
					
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			</item>
		<item>
		<title>Phad Painting ~ Bhilwara</title>
		<link>https://gaatha.org/Craft-of-India/phad-painting-bhilwara/</link>
					<comments>https://gaatha.org/Craft-of-India/phad-painting-bhilwara/#respond</comments>
		
		<dc:creator><![CDATA[Gaatha A tale of crafts]]></dc:creator>
		<pubDate>Mon, 20 May 2024 06:27:45 +0000</pubDate>
				<guid isPermaLink="false">https://gaatha.org/?post_type=listing&#038;p=16335</guid>

					<description><![CDATA[<p>In the Rajasthani dialect, &#8220;Phad&#8221; carries the meaning of a fold. The smaller version of Phad painting is referred to as &#8220;Phadhye.&#8221; The intricate narratives and vibrant colours of Phad paintings contribute to the rich cultural tapestry of Rajasthan, showcasing the fusion of visual and performing arts in this traditional form.</p>
<p>The post <a href="https://gaatha.org/Craft-of-India/phad-painting-bhilwara/">Phad Painting ~ Bhilwara</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></description>
										<content:encoded><![CDATA[<p></p>



<h4>In the Rajasthani dialect, <strong>&#8220;Phad&#8221; carries the meaning of a fold. </strong>The smaller version of Phad painting is referred to as &#8220;Phadhye.&#8221; The intricate narratives and vibrant colours of Phad paintings contribute to the rich cultural tapestry of Rajasthan, showcasing the fusion of visual and performing arts in this traditional form.</h4><p>The post <a href="https://gaatha.org/Craft-of-India/phad-painting-bhilwara/">Phad Painting ~ Bhilwara</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></content:encoded>
					
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			</item>
		<item>
		<title>Baiga Adivasi Fabric</title>
		<link>https://gaatha.org/Craft-of-India/baiga-adivasi-fabric/</link>
					<comments>https://gaatha.org/Craft-of-India/baiga-adivasi-fabric/#respond</comments>
		
		<dc:creator><![CDATA[Gaatha A tale of crafts]]></dc:creator>
		<pubDate>Sat, 17 Feb 2024 12:50:00 +0000</pubDate>
				<guid isPermaLink="false">https://gaatha.org/?post_type=listing&#038;p=16527</guid>

					<description><![CDATA[<p>In the era of science and technology, certain tribal communities find themselves in a technologically primitive, pre-agricultural stage. Their economy is uncomplicated, primarily rooted in forests, rendering them extremely impoverished. Many among them lack literacy, and their population growth remains stagnant. In India, there are 74 such groups recognized as Primitive Tribal Groups (PTG), and [&#8230;]</p>
<p>The post <a href="https://gaatha.org/Craft-of-India/baiga-adivasi-fabric/">Baiga Adivasi Fabric</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>In the era of science and technology, certain tribal communities find themselves in a technologically primitive, pre-agricultural stage. Their economy is uncomplicated, primarily rooted in forests, rendering them extremely impoverished. Many among them lack literacy, and their population growth remains stagnant. In India, there are 74 such groups recognized as Primitive Tribal Groups (PTG), and the Baiga community is counted among them. In the state of Madhya Pradesh, which hosts a total of 43 tribal groups, three—namely Baiga, Bharia, and Sahariya—are specifically identified as PTG. This acknowledgment highlights their unique socio-economic and cultural context, positioning them distinctively within the broader framework of tribal communities in India. Baigas are widely distributed in Dindori, Mandla, Shahdol, and Balaghat districts of Madhya Pradesh.</p><p>The post <a href="https://gaatha.org/Craft-of-India/baiga-adivasi-fabric/">Baiga Adivasi Fabric</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></content:encoded>
					
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			</item>
		<item>
		<title>Kharad weaving, Kutch</title>
		<link>https://gaatha.org/Craft-of-India/kharad-weaving-kutch/</link>
					<comments>https://gaatha.org/Craft-of-India/kharad-weaving-kutch/#respond</comments>
		
		<dc:creator><![CDATA[Gaatha A tale of crafts]]></dc:creator>
		<pubDate>Tue, 23 Jan 2024 13:05:46 +0000</pubDate>
				<guid isPermaLink="false">https://gaatha.org/?post_type=listing&#038;p=16015</guid>

					<description><![CDATA[<p>The durrie, a timeless symbol ingrained in the tapestry of Indian culture, carries with it an 800-year-old legacy of Kharaad / Kharad weaving. This tradition, rooted in the era of ancient palaces, camel herders, and nomadic wanderers, has stood the test of time. The inspiration for this craft can be traced back to the utilitarian [&#8230;]</p>
<p>The post <a href="https://gaatha.org/Craft-of-India/kharad-weaving-kutch/">Kharad weaving, Kutch</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></description>
										<content:encoded><![CDATA[<h4><strong>The durrie, a timeless symbol ingrained in the tapestry of Indian culture, carries with it an 800-year-old legacy of <strong>Kharaad</strong></strong> / <strong>Kharad weaving</strong>. This tradition, rooted in the era of ancient palaces, camel herders, and nomadic wanderers, has stood the test of time. <strong>The inspiration for this craft can be traced back to the utilitarian accessories of camels and animals, where nomadic communities began adorning their creatures with both functional and artistic purpose.</strong> The threads of this ancient tradition weave a story that echoes through centuries, connecting us to a rich heritage that celebrates both craftsmanship and the harmonious coexistence of art and daily life.</h4><p>The post <a href="https://gaatha.org/Craft-of-India/kharad-weaving-kutch/">Kharad weaving, Kutch</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></content:encoded>
					
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		<item>
		<title>Ashavali Brocade, Ahmedabad</title>
		<link>https://gaatha.org/Craft-of-India/ashavali-brocade-ahmedabad/</link>
					<comments>https://gaatha.org/Craft-of-India/ashavali-brocade-ahmedabad/#respond</comments>
		
		<dc:creator><![CDATA[Gaatha A tale of crafts]]></dc:creator>
		<pubDate>Sat, 13 Jan 2024 12:44:55 +0000</pubDate>
				<guid isPermaLink="false">https://gaatha.org/?post_type=listing&#038;p=15775</guid>

					<description><![CDATA[<p>Ashawali Brocade, woven in silk and hailing from the heart of Ahmedabad, Gujarat, carries with it a name that echoes through the corridors of time, tracing its origins back thousands of years. The very essence of its name, Ashawali, finds its roots in the history of a bygone era, under the reign of King Ashapalli. [&#8230;]</p>
<p>The post <a href="https://gaatha.org/Craft-of-India/ashavali-brocade-ahmedabad/">Ashavali Brocade, Ahmedabad</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></description>
										<content:encoded><![CDATA[<h4>Ashawali Brocade, woven in silk and hailing from the heart of Ahmedabad, Gujarat, carries with it a name that echoes through the corridors of time, tracing its origins back thousands of years. The very essence of its name, Ashawali, finds its roots in the history of a bygone era, under the reign of King Ashapalli. According to historical documents, Karna (r. c. 1064–1092 CE), a monarch from the Chaulukya (Solanki) dynasty in Gujarat, is lauded for his triumph over a Bhil chief from Ashapalli. This victory marked the establishment of Karnavati city, further enriching the cultural tapestry of the region</h4><p>The post <a href="https://gaatha.org/Craft-of-India/ashavali-brocade-ahmedabad/">Ashavali Brocade, Ahmedabad</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></content:encoded>
					
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		<title>Applique craft ~  Pipli</title>
		<link>https://gaatha.org/Craft-of-India/applique-craft-pipli-odisha/</link>
					<comments>https://gaatha.org/Craft-of-India/applique-craft-pipli-odisha/#respond</comments>
		
		<dc:creator><![CDATA[Gaatha A tale of crafts]]></dc:creator>
		<pubDate>Mon, 08 Jan 2024 15:58:04 +0000</pubDate>
				<guid isPermaLink="false">https://gaatha.org/?post_type=listing&#038;p=15583</guid>

					<description><![CDATA[<p>Pipli village a few kilometers from Bhubaneshwar, the capital of Orissa, is a village where all houses and shops along the roads have one thing in common: beautiful appliqué work, in the making or on display, all giving out a loud burst of colour. Established by the King of Orissa for accommodating the craftsmen who [&#8230;]</p>
<p>The post <a href="https://gaatha.org/Craft-of-India/applique-craft-pipli-odisha/">Applique craft ~  Pipli</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></description>
										<content:encoded><![CDATA[<h4>Pipli village a few kilometers from Bhubaneshwar, the capital of Orissa, is a village where all houses and shops along the roads have one thing in common: beautiful appliqué work, in the making or on display, all giving out a loud burst of colour. Established by the King of Orissa for accommodating the craftsmen who made appliqué umbrellas and canopies for the annual Jagannath Yatra.</h4><p>The post <a href="https://gaatha.org/Craft-of-India/applique-craft-pipli-odisha/">Applique craft ~  Pipli</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></content:encoded>
					
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		<title>Weaving ~ Kuthampully, Thrissur</title>
		<link>https://gaatha.org/Craft-of-India/weaving-kuthampully-thrissur-kerala/</link>
					<comments>https://gaatha.org/Craft-of-India/weaving-kuthampully-thrissur-kerala/#respond</comments>
		
		<dc:creator><![CDATA[Gaatha A tale of crafts]]></dc:creator>
		<pubDate>Thu, 17 Aug 2023 10:36:15 +0000</pubDate>
				<guid isPermaLink="false">https://gaatha.org/?post_type=listing&#038;p=14677</guid>

					<description><![CDATA[<p>Kuthampully, a small town located in Thrissur district is known as a traditional cotton-weaving village. The handwoven products from Kuthampully weaving are woven as a traditional costume by the women and men of Kerala. The Kuthampully weaving is mostly famous for its classic off-white fabric with its significant ‘kasavu’ (zari border).</p>
<p>The post <a href="https://gaatha.org/Craft-of-India/weaving-kuthampully-thrissur-kerala/">Weaving ~ Kuthampully, Thrissur</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></description>
										<content:encoded><![CDATA[<h4>Kuthampully, a small town located in Thrissur district is known as a traditional cotton-weaving village. The handwoven products from Kuthampully weaving are woven as a traditional costume by the women and men of Kerala. The Kuthampully weaving is mostly famous for its classic off-white fabric with its significant ‘<em>kasavu</em>’ (zari border).</h4><p>The post <a href="https://gaatha.org/Craft-of-India/weaving-kuthampully-thrissur-kerala/">Weaving ~ Kuthampully, Thrissur</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></content:encoded>
					
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		<title>Weaving ~ Kasaragod</title>
		<link>https://gaatha.org/Craft-of-India/handloom-weaving-kasargod-kerala/</link>
					<comments>https://gaatha.org/Craft-of-India/handloom-weaving-kasargod-kerala/#respond</comments>
		
		<dc:creator><![CDATA[Gaatha A tale of crafts]]></dc:creator>
		<pubDate>Wed, 16 Aug 2023 12:26:45 +0000</pubDate>
				<guid isPermaLink="false">https://gaatha.org/?post_type=listing&#038;p=14647</guid>

					<description><![CDATA[<p>Kasaragod, is the district situated in the northern part of Kerala surrounded by the western ghats at the east and the Arabian Sea to the west, is known for their weaving. The beautiful sarees that Kasaragod weavers weave are completely made from natural fibres. The sarees from this town are known for their plain body [&#8230;]</p>
<p>The post <a href="https://gaatha.org/Craft-of-India/handloom-weaving-kasargod-kerala/">Weaving ~ Kasaragod</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></description>
										<content:encoded><![CDATA[<h4>Kasaragod, is the district situated in the northern part of Kerala surrounded by the western ghats at the east and the Arabian Sea to the west, is known for their weaving. The beautiful sarees that Kasaragod weavers weave are completely made from natural fibres. The sarees from this town are known for their plain body with golden zari, and borders completely hand-woven depicting the traditional and aesthetic value being still passed down through the craft.</h4><p>The post <a href="https://gaatha.org/Craft-of-India/handloom-weaving-kasargod-kerala/">Weaving ~ Kasaragod</a> first appeared on <a href="https://gaatha.org">Craft Archive | Research on Indian Handicrafts & Handloom</a>.</p>]]></content:encoded>
					
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